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hbajpai

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Posts: 892
Reply with quote  #1 
Felt like posting some traditional, rare compositions that I have received and more importantly I personally enjoy. The idea is if you have any by the same composer that you like, let's build the respective thread. So here we go...

Composer: Ustad Amir Hussain Khan Saheb
Taal: Teen Taal
Type: Chaudhari Gat

Takitdhikit Takitdhikit Takitdhikit Takitdhikit
Dhinudhinudhinu Dhinudhinudhinu Dhinudhinudhinu Dhinudhinudhinu
Nakandigan Nakandigan Nakandigan Nakandigan
Tak(s)dhintirakittak Tak(s)dhintirakittak Tak(s)dhintirakittak Tak(s)dhintirakittak
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Bhagi

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Posts: 270
Reply with quote  #2 
Thanks for posting this. It would be good to post an audio clip of you playing it.
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hbajpai

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Posts: 892
Reply with quote  #3 
I will try and do that. In the mean time, here is a classic that is very commonly played by all tabla players.

Composer: Ustd. Amir Hussain Khan
Taal: Teen Taal
Style: Delhi
Type: Kaida

Mukh
Bhari
DhaGeTir | KitGeGe | Tirakit | DhineGene
DhaGeTit | KitGeGe | NanaKene| TineKena

Khali
TakeTir | KitKeKe | Tirakit | DhineGene
DhaGeTit | KitGeGe | NanaKene| DhineGene

Go to town with variations.
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deep

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Posts: 90
Reply with quote  #4 
Isn't this more appropriate?

DhaGeTir | KitGeGe | Tirakit | DheNeGene
DhaGeTit | KitGeGe | NanaKene| TeNeKeNe

Khali
TakeTir | KitKeKe | Tirakit | TeNeKeNe
DhaGeTit | KitGeGe | NanaGeNe| DheNeGene
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hbajpai

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Posts: 892
Reply with quote  #5 
Oh yeah, typo on the 15th matra. Also to be consistent, they should all be "Tirakit" and not Titekite. Corrected below.

Composer: Ustd. Amir Hussain Khan
Taal: Teen Taal
Style: Delhi
Type: Kaida

DhaGeTir | KitGeGe | Tirakit | DheNeGene
DhaGeTir | KitGeGe | NanaKene| TeNeKeNe

Khali
TakeTir | KitKeKe | Tirakit | TeNeKeNe
DhaGeTir | KitGeGe | NanaGeNe| DheNeGene
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tabliya

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Posts: 69
Reply with quote  #6 
Thanks for posting these... I remember being taught the qaida some time ago. A question - what is the bayan fingering? Can you layer that on top in your posting using 1 for index finger and 23 for middle+ring finger?

Thanks,
T.
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hbajpai

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Posts: 892
Reply with quote  #7 
It's all alternating 2/1/2/1. At faster speed instead of playing tirakit, play tiraGit. There is no prescribed baya fingering to this as far as I know, but please correct/educate me if I missed something.

The other beautiful part of this composition comes in nana. At faster speed, it is not ful Na Na it is NNa, which is very hard for me to play and describe in writing. Basically na na played on the kinar where there is no clear seperation between the 2 na's.

If someone can suggest any techniques on this bol, I would appreciate it.
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