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Christianamr

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Reply with quote  #16 
" Bharoso Dridh in Charnan Kero "

Composed by Surdas , sung by Pandit Jasraj , Addha taal .



~~~~~~~~~~~ Bihag ( info is provided in the video link )

One commentator is not at all satisfied with artwork used : :mrgreen:
Quote:
Rendering is soulful . But web at cypher8888888 have wrongly placed irrelevant picture of Meera & Krishna instead of Surdasji & his Guru Shree Vallabhacharyaji in whose praise he composed this immortal Keertan eqating him with supreme God Shreenathji.To satisfy his doubting co-Keertankars,he composed this immortal Keertan in his final hours before his death some 500 years ago which is capable of being rendered in 12 more Ragas also
Vallabhdas Raichura

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Christianamr

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Reply with quote  #17 
" Sone sonre jara insaan "

by Mohammed Rafi , Khemta taal



Seems to be a mixing of Charukeshi with Pilu . ( both Ga

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Christianamr

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Reply with quote  #18 
" Jai Raghunandan Jai Siya Ram "

Sung by Jagjit Singh , Bhajani taal



Seems to be in Bhatiyar .
One of the youtube-commentators says it could be Bhatiyar or Mishra Bhatiyar .

This song consists consists almost entirely of responsorial chants , so it could maybe be classified as a Dhun .

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Christianamr

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Reply with quote  #19 
" Krishna Krishna kahiye "

by Bhimsen Joshi , Bhajani taal .



I would say it is a mixing of Jogiya with Kalingada . One small part seems to dwelve into Lalit .

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Christianamr

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Reply with quote  #20 
" Payo Ji Maine Ram Ratan Dhan Payo "

by Meerabai , sung by D. V. Paluskar



I have seen people put Mishra Maand for this famous bhajan , but Parrikar puts it under the heading of Pahadi in his article about audav ragas like Bhupali , Deshakar etc . His authoritative statement about the component ragas :
Quote:
A confluence of Pahadi, Kalyan and Mand is seen in this universally loved Meera bhajan by D.V. Paluskar: Rama ratana dhana payo.
I am glad to see such a statement from an expert , because normally such bahut serious rasikas don

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Christianamr

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Reply with quote  #21 
" Bigrie baate banade Raam "

Sung by Mukesh , slow Keherwa .



Seems to be in Lalit . One vivadi is sometimes used , namely komal ni .

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Christianamr

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Reply with quote  #22 
" Shri Krishna Kasturi Tilakam"

sung by Pandit Jasraj



~~~~~~~~~~~ Raag Madhuvanti

Different sources give different authors of this famous shloka :
Bilvamangala Thakura , Leela Sukhar , Jayadev and others ... :|

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Christianamr

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Reply with quote  #23 
" Data ek Ram "

by Shri Hari Om Sharan , Keherva taal .



For the major part it seems to be in Sindhura , dwelving sometimes into Kafi and Piloo ( maybe also Hanskinkini and similar other Dhun ragas ? )

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Christianamr

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Reply with quote  #24 
" Sumiran kar le "

by Anup Jalota ,
in Keherwa taal

The site soundofindia puts this bhajan in Tilak Kamod , but after listening to it I just hear too much Kalyan or Bihag anga with tivra Ma , and there isn

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Christianamr

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Reply with quote  #25 
" Sakal Brij dhoom "

by Ashwini Bhide Deshpande , Keherwa taal ( sounds like a Keherwa prakar used often in thumris , that has an uneven " swing " = like mixing a double time Tishra jati beat into the normal tempo )



People say it is in Tilak Kamod , but here again there is so much tiver Ma , that it sounds like a raag from Kalyan thaat . Must be the influence of other romantic evening ragas ( in Shringar and/or bhakti rasa ) , where the tivra Ma is prominent .
And like the previous bhajan above , what would point to Tilak Kamod is the typical emphasis on mandra saptak ( `N`P`N S ) . And surprise surprise , lots of typical Tilak Kamod lakshanas are lacking ( P D m G in avroh , no high Sa coupled with Pa ... )
So for me at best it would be a mishra raag ( Mishra Tilak Kamod )

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सहस्रनाम ततुलयम राम नाम वरानने |
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Christianamr

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Reply with quote  #26 
" Chalo mana Ganga Jamuna teer "

by Meerabai , sung by Pt Bhimsen Joshi , Bhajani taal



It is labeled everywhere as Tilak Kamod , but some characteristics make it sound more like Desh to me :
Lots of emphasis on komal ni , almost no activity in mandra saptak , and often nyas on Rishabh , no meends from S

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Christianamr

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Reply with quote  #27 
Quote:
Originally Posted by "ZeelaKirvaanee"
Hello Christianamr,

Here are a few Bhajhans rendered by Bheem Sein Jaushee Ji in the respective Raags:

1.
'Raghoo Var Thumm' in the Raag Mishra Khamaaj...
2.
'Mauray Ghar Aavauh' in the Raag Path Dheep...
3.
'Raam Jappeeyay Raam' is in two Raags: the Raag Chandhrakauns and the Raag Maalkauns...
4.
'Challau Mann Ganga' is in Raag Thilak Kaamaudh...

On a different note-cant STAND the usage of the Harmonium in any way in the Indian Classical Music spectrum and its genres in totality...it's a shame Bheem Sein Jaushee Jee uses it as a solo accompaniment!
Thank you very much for contributing with these bhajans .

I have begun to listen to " Raghuvar tumko meri laaj " composed by Tulsidas , in Bhajani Taal . It is nice example of a kind of Mishra Khamaj where there is heavy emphasis on ma .

I will listen to the other bhajans with calmness during the next days , and also give an eye to the artworks in the videos .

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सहस्रनाम ततुलयम राम नाम वरानने |
Sahasranāma tat tulyam Rāma nāma Varānane .
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Christianamr

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Reply with quote  #28 
Quote:
Originally Posted by "ZeelaKirvaanee"
Hello Christianamr,


2.
'Mauray Ghar Aavauh' in the Raag Path Dheep...
This bhajan " More Ghar Aayo " is very nice !
It conveys also different moods , because of the ragas that are mixed in :
The sthayi is mostly in Bhimpalasi , some Antaras are in Kirwani .
I know that all the internet sites who are selling this Cd are labeling this song as Patdeep , but often songs and even classical Khyals are mislabelled ....
I

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सहस्रनाम ततुलयम राम नाम वरानने |
Sahasranāma tat tulyam Rāma nāma Varānane .
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cmorajkar

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Reply with quote  #29 
Hello,

I like all bhajans of Bhimsen Joshi, Suresh Wadkar, Sunali Rathod.

Thanks
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ظؤیہ ہیآت

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Reply with quote  #30 
Quote:
Originally Posted by "Christianamr"
" Aarti Kunj Bihari ki "

by Shri Hari Om Sharan



There seem to be various ragas : Maybe Jhinjoti or a Khamaj-prakar for the chorus ( Sthayi ? ) , and Maand for the verses ( antaras ? ) , though I think there are some hints of other ragas also , maybe even Pahadi .
Hello Christianamr,

The Bhajhan 'Aarthee Kunj Bihaaree' by Haree Aum Sharan Ji is in the Raag Khamaaj/Khamaj!

(Bear in mind-i spell the Raag Names or South Asian words in English in the way they are pronounced in South Asia)...

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