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bosmart

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Posts: 27
Reply with quote  #16 
I found this chalan for Dipak (Purvi ang)in Bhatkhande:
S'P, GPGrS, SGP,mdP,GmdPS', NS'r'S', P, GPGrS
To state my point on Kaufman vs. Bhatkhande I discovered that the melody given by Kaufman is in fact the astayi and antara of a beautiful jhaptal sadra . The sanchari and abhog given by Bhatkhande have mysteriously disappeared in Kaufmann's book.
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Christianamr

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Posts: 464
Reply with quote  #17 
Some things about what Parrikar says about the Khamaj-thaat Deepak , with chalan included :
Quote:
Raga Deepak

The melodic activity of the Khamaj-that Deepak spans the mandra and madhya saptakas for the most part. The key phrases are:

S, R n’, D’ P’, P’D’ P’D’ M’, P’ N’, N’ S

SR SR (S)N, S M G, R S

S, GMPD, M, P n D, P, PD PD M, P G R S

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