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sikhman

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Posts: 122
Reply with quote  #1 
How do you play GiRaNaGa bol?

I play the following way.

Gi = Ge on Bayan
Ra = Two last fingers on kinar on Dayan
Na = Na on Dayan
Gi - Ge on Bayan


GiRaNaGa Dha TiTe | GiRaNaG TuNa |
| KiRaNaGa Ta TiTe | GiRaNaGa DhiNa |


Please share your advise and suggestions.

Thanks
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Surinderpal

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Posts: 11
Reply with quote  #2 
finger numbering is as per Dehli or Punjab grana
I play last two fingers for Ra like Ring finger on the syahi and small finger on to edge of syahi
In Farukabadh ghrana three fingers(including middle finger) are used for Ra, on to the syahi.
i practice the similar rela.
Dha tite Ghiranaga tina Ghiranaga
Ta tite kIranaga dhIna Ghiranaga.
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sikhman

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Reply with quote  #3 
Hi,

Thanks for your response.
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fuenme

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Reply with quote  #4 
tintal:

Gere Naga Tete Tete Gere Naga Tin Na
Tete Gere Naga Tete Gere Naga Tin Na
Kere Naka Tete Tete Kere Naka Tin Na
Tete Gere Naga Tete Gere Naga Dhin Na


Dadra/Fast Ektal:

Gere Naga Tete Tete Tina Kina
Kere Naka Tete Tete Dhina Gina

Rupak:

Gere Naga Tete Gere Naga Tina Kina
Kere Naka Tete Gere Naga Dhina Gina

Keharwa / Tintal:

1
Gere Naga Tete Tete Gere Naga Tina Kina
Kere Naka Tete Tete Gere Naga Dhina Gina
2
Gere Naga Tete Gere naga Tete Tun- trkt
Kere Naka Tete Gere Naga Tete Dhin- Trkt

Jhaptal:

Gere Naga Tete Gere Naga Tete Gere Naga Tina Kina
Kere Naka Tete Kere Naka Tete Gere Naga Dhina Gina

the dohra's and palta's you can make yourself from these kaida's.

daud

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hbajpai

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Reply with quote  #5 
Another Teen Taal Kaida with "GidNaga"

Bhari
DhaTiRaKit | DhaGidNag | DhinNuDhinNuGena | DhaGidNag
DhinNuDhinNuGena | DhaTiRaKit | DhaGidNag | TinNuTinNuKeNa
Khali
TaTiRaKit | TaKidNag | TinNuTinNuKeNa | DhaGidNag
DhinNuDhinNuGena | DhaTiRaKit | DhaGidNag | DhinNuDhinNuGena

*****
DhinNu = Shai Dhin | close off the resonance with ring and pinky.
TinNu = Shai Tin | close off the resonance with ring and pinky
*****
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Aanaddha

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Reply with quote  #6 
Quote:
Originally Posted by "hbajpai"
Another Teen Taal Kaida with "GidNaga"

Bhari
DhaTiRaKit | DhaGidNag | DhinNuDhinNuGena | DhaGidNag
DhinNuDhinNuGena | DhaTiRaKit | DhaGidNag | TinNuTinNuKeNa
Khali
TaTiRaKit | TaKidNag | TinNuTinNuKeNa | DhaGidNag
DhinNuDhinNuGena | DhaTiRaKit | DhaGidNag | DhinNuDhinNuGena

*****
DhinNu = Shai Dhin | close off the resonance with ring and pinky.
TinNu = Shai Tin | close off the resonance with ring and pinky
*****
Nice. Also works as Ektal played madhya lay in three's.

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sikhman

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Posts: 122
Reply with quote  #7 
Great addition. Appreciate your time.
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hbajpai

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Posts: 892
Reply with quote  #8 
Another GidNaGa based Kaida. Nice TiRaKit Practice too. All bols should are basic and should be familiar. Remember, its Delhi so, 3 finger daya TiRaKat and Tuk is index on Shai.

Composition by Pandit Arvind Mulgaonkar – Kaida Delhi Gharana - Based on original composition from Ustad Amir Hussain Khan Saheb "Dha(s)GidNagTiRaKat…”
*************
Dha(s)Tirakattuktirakat Tirakittuktuktirakit Dha(s)TirakattukDhaTi Dha(s)geTinnakena
Dha(s)TirakattukDha(s)ti Dha(s)geTinaGidnag TirakittuktukDhati Dha(s)geTinnakena
Ta(s)Tirakattuktirakat Tirakittuktuktirakit Ta(s)TirakattukTaTi Ta(s)keTinnakena
Dha(s)TirakattukDha(s)ti Dha(s)geTinaGidnag TirakittuktukDhati Dha(s)gedhinnakena
*************
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